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Certainly Carreño, 45, brings hefty bona fides to the task of introducing Ballet San Jose to new audiences. As the New York Times noted of the charismatic principal upon his retirement two years ago from American Ballet Theatre, “There are few dancers as adored by both balletomanes and the general public.” Before becoming a principal in 1995 with ABT–one of the most prestigious companies in the world–Carreño held that rank first with English National Ballet, then with the Royal Ballet.

Thanks to Ballet San Jose’s partnership with ABT–an association initiated around the same time as Carreño’s swan song–fate was already pushing him toward the West Coast, In retirement, Carreño had planned nothing much beyond guest stints for two or three years, and perhaps exploring TV, Bunheads across the country got a good look at his talent when he was featured on Hollywood’s Dancing With the Stars last year and in 2011, This February he appeared with Ballet San Jose, where his performance in Don Quixote was a revelation in many champagne lace wedding ballet flats shoes ballet style with ivory ties custom bridal flats ways..

“It was definitely an aha! moment for me, seeing the way the dancers responded to him. He’s just a natural leader,” says company executive director Stephanie Ziesel about the decision to invite Carreño to stay on permanently. He took over from Wes Chapman, the artistic adviser for the 2012-2013 season following the force-out of Ballet San Jose cofounder Dennis Nahat in January 2012. Chapman will now freelance, and former principal ballet master Raymond Rodriguez has moved up to associate artistic director. Asked about the prolonged drama surrounding Nahat’s departure, his successor says, “I wasn’t involved; that’s in the past. I’m just in the present and the future.”.

The public remodeling of the ballet company champagne lace wedding ballet flats shoes ballet style with ivory ties custom bridal flats begins with a benefit gala Nov, 16 at 5 p.m, at the San Jose Center for the Performing Arts, The event will introduce Carreño and kick off the first of three seasons under his purview, The 8 p.m, program is equal parts classic (e.g., Don Quixote and Le Corsaire) and modern (Jorma Elo’s 2006 Glow-Stop, Christopher Wheeldon’s 2005 After the Rain, among others), Symphony Silicon Valley, with Ballet San Jose music director George Daugherty conducting, will perform..

A list of high-wattage guest artists is slated, including Marcelo Gomes, Julie Kent and Gillian Murphy from ABT; Joaquin De Luz, Ask la Cour and Ana Sophia Scheller from New York City Ballet; Taras Domitro and Maria Kochetkova from San Francisco Ballet; and from Boston Ballet, Lorna Feijoo and Nelson Madrigal. Many have Hispanic or Latino roots, with Domitro, Feijoo and Madrigal–plus another guest dancer, Adiarys Almeida–all sharing Carreño’s Cuban heritage. It’s a splashy way to signal one of his key goals, to showcase not only Hispanic/Latino ballet dancers in Silicon Valley but choreographers as well.

“One of the things I criticized when I got here was everything was so local,” Carreño says, “I want to make things international, So the focus this year is to bring a different kind of champagne lace wedding ballet flats shoes ballet style with ivory ties custom bridal flats choreography, a different kind of style.” The roster of U.N.-flavored works will include the likes of Israeli Ohad Naharin and France’s Roland Petit, Latino choreographers such as Argentina’s Jorge Amarante and Venezuelan Vicente Nebrada will have their Grapa Tango and Nuestros Valses, respectively, performed in March..

This second of three programs in the upcoming season, incidentally, is composed entirely of company premieres. It will follow December’s The Nutcracker by longtime local favorite and newly retired Karen Gabay, and a “Neoclassical to Now” program in February. Carreño previously had described the company’s dancers as talented but in need of coaching. Now, “every week I can see how people are getting transformed. How they change, how they improve–that is a great satisfaction to me,’ he says. “But I’m also planning to bring in three coaches who have worked with me in the past” to sharpen the troupe’s overall skills.

The eminent trio, who will stay anywhere from one to three weeks, are Loipa Araújo, Carreño’s personal coach who now works with English National Ballet; Wilhelm Burmann from the famous New York dance studio Steps on Broadway; and ex-Bolshoi dancer Azari Plissetski from Béjart Ballet Lausanne in Switzerland, Ballet San Jose’s company of 36 dancers, ranging in age from 19 to 39, is a perfect representation of not only the city but the region, Diverse in every champagne lace wedding ballet flats shoes ballet style with ivory ties custom bridal flats way, the dancers seemed very much at ease with their new boss during a recent regular morning class, Another newcomer to the scene was Carreño’s dog, a shih tsu-poodle mix named Rey who slept peacefully in a carrier parked by the pianist..

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