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“It’s like, okay, you’ve got to pick over everything and change your mind 50 times and torture over things, and then you get brought to your knees financially and emotionally, until you are writing to survive [and] support your family,” Russell says. “And you now have two households, and suddenly it’s not as easy as you imagined it would be. And Sydney Pollack offers you a chance at a writing job, as a writer for hire, to adapt ‘Silver Linings Playbook,’ which I adapt as a job — no promises of directing. Everything is different now. The guy who was honored at MoMA is a humble person happy for a gig.”.

Russell was “wood shedding,” as he describes it, writing scripts for “Pride and Prejudice and Zombies” and “Old St, Louis,” another Vince Vaughn picture, “and eventually Mark Wahlberg sends you a film that you couldn’t get the first time or the second time around because your stock had dropped, But because you’ve been good to him, he comes back and says, ‘I think we should let you try this.’ ”, That film, of course, was “The Fighter,” a scrappy, spirited boxing drama about a washed-up athlete that found Russell hewing to his familiar spontaneous shooting style but in service to a story that custom made harry potter ballet flats felt deeply personal and imbued with new, higher stakes, The film, which earned Oscars for stars Christian Bale and Melissa Leo, was widely hailed as a triumph, with Russell’s own comeback story uncannily echoing the arc of the film, Having survived his own bruising sixth round, the writer-for-hire on “Silver Linings Playbook” was able to cherry-pick that very film as his next directing project..

Even more of a critical and commercial hit than “The Fighter,” “Silver Linings” earned another Oscar, for lead actress Jennifer Lawrence. (It received seven additional nominations, including for best picture.) Immediately, Russell plunged into “American Hustle,” a stylish, anarchically funny caper set against the backdrop of the FBI’s Abscam corruption investigation in the 1970s. The film, opening Dec. 20, stars Lawrence, Bale and “Silver Linings” star Bradley Cooper as highly fictionalized versions of some of the scheme’s real-life principals. The movie possesses a larky, slightly wild energy, punctuated by a mesmerizingly unhinged supporting turn from Lawrence. But it also speaks to Russell’s re-invigorated sense of sincerity: An oft-repeated catch phrase, “from the feet up” is the director’s shorthand for the kind of truth, authenticity and big-heartedness he now strives for and insists upon in every project, regardless of genre or real-life roots.

With “The Fighter,” “Silver Linings Playbook” and now “American Hustle,” Russell has created what he considers a trilogy of films animated by the very defeat and tenacious will to survive that characterized those years in the mid-aughts, when he was grappling with the same obstacles and self-deceptions as his protagonists, “I feel like everything was preparation for these three pictures,” Russell says enthusiastically, And, whether it’s the Big Bout in “The Fighter” or the Big Dance Contest in “Silver Linings” custom made harry potter ballet flats or the Big Sting in “Hustle,” Russell has vigorously embraced the kind of unapologetic sentiment and sheer exhilaration — what he calls “enchantment” — that he might have pooh-poohed as a more self-serious young auteur..

“I discovered things about myself as a filmmaker that I wouldn’t have told you 20 years ago,” Russell readily admits. “That I believe in romance, if you come by it honestly. And I don’t believe any story is a cliché if you do it from the feet up. . . . Let me tell you something: If you’ve lived it, it’s not a cliché.”. Charles Roven, one of the producers of “American Hustle,” last worked with Russell on “Three Kings.” He notes that, in many ways, Russell hasn’t changed: He’s still unafraid to take the counterintuitive path, finding drama in humor and vice-versa. He’s empathetic. He doesn’t like hearing the word “no.”.

“When he has a vision for something, he always goes for that,” Roven says, “But the way he goes about getting there now is a bit different, , , , He catches himself and will say, ‘Let’s start over.’ He’ll catch himself if he’s going down a road that may be leading towards a result he didn’t intend a lot sooner than he used to, “Part of his process is to be constantly trying to learn from his past, particularly in areas custom made harry potter ballet flats where he maybe could have done something better or smarter,” Roven adds, “I think that he’s just gotten more mature.”..

For Russell’s part, he’s now perfected a way of working — from choosing material to filming his actors with a constantly moving Steadicam, talking to them through their takes to create an intimate sense of immediacy — that’s given him a new lease on his career, if not life itself. His famously structured-but-spontaneous shooting style has created an informal repertory company of actors — including Bale, Cooper, Lawrence, Amy Adams and Robert De Niro — who, in the case of “Hustle,” agreed to work with him on the basis of a simple pitch. “De Niro said he hadn’t had this kind of challenge in 25 years,” says “Silver Linings” and “Hustle” editor Jay Cassidy, “since working with [Martin] Scorsese.”.

The result is a recent cinematic oeuvre that feels both liberated and deeply grounded in Russell’s own life, even when he’s telling other people’s stories, It’s the people — not the plots themselves — that matter, he says, And if he doesn’t instinctively recognize those people — if their stories don’t chime with his own voice and values and sense memories — he’ll pass, “That’s how I felt when I saw that world of the people in ‘The Fighter,’ ” he explains, “You meet the people and you say, ‘You know, this kind of reminds me of my mother’s Italian Brooklyn relatives, or some of my father’s Bronx relatives, Wow, interesting.’ You dial into that rhythm: Oh, I love the plaid couch, I love the cigarettes in the ashtray like my custom made harry potter ballet flats mom’s were, I love how they talk to each other, how they laugh, how they fight.’ That’s [what I brought] into ‘Silver Linings,’ and now with [‘American Hustle’], I’m going to do that here.”..

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