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Monster glitter shoes, Flat glitter shoes, Green glitter shoes, Monster pumps, Dinosaur ballet flats, Monster claw flats, Halloween shoes

Barefoot Bubbly Extra Dry Champagne. Despite false use of the term Champagne (last time we checked, Barefoot was in Modesto), it’s tough to argue with the price, given multiple gold medals in blind tasting competitions, delightful apple flavors and a smooth finish. $7.99. Toques et Clochers Cremant de Limoux (Languedoc-Roussillon, France). This popular wedding toaster — to those in the know — is refreshing with incredibly fine bubbles and a mineral edge. Great finish. $19.95 (second bottle 5 cents through Jan. 6).

Domaine Ste Michelle Blanc de Noirs, Washington’s oldest winery delivers this well-balanced, crisp toaster with tart strawberry flavors and clean finish, $11.99 (second bottle 5 cents through Jan, 6), Marques de Gelida 2009 Cava Brut Reserva, Made with organically farmed indigenous Spanish grapes, this superior vintage bubbly is lemony and herbal on the nose with monster glitter shoes, flat glitter shoes, green glitter shoes, monster pumps, dinosaur ballet flats, monster claw flats, hallow tropical fruit and vanilla bean flavors, Its consistent bead is lively and makes for a long finish, We’ll be drinking this, $19.99..

Gruet Blanc de Noirs. Year after year, this New Mexican sparkler delivers rich and toasty flavors, a pretty salmon color, aggressive mousse and bold fruit flavors. The current release is no exception. $16.99. Scharffenberger Brut Excellence (Mendocino County, CA). Vanilla cream flavors give this wine a round and full-bodied appeal balanced by citrus notes. We like the hazelnut aromas, too. $18.99. De Chancery 2011 Sparkling Vouvray Brut (Loire Valley, France). A Whole Foods exclusive, this sparkling chenin blanc has a graceful, persistent pour and elegant notes of baked pineapple brioche that continue to a candied fruit finish. Impressive length. $18.99.

That’s why this theater critic cherishes the tradition of the year-end best-of list, While it’s impossible to mark every notable play that happened this year, it’s certainly a gratifying exercise to celebrate the shows that were memorable even to the most voracious culture vulture (read: me), Sometimes it’s the text that makes a production unforgettable, monster glitter shoes, flat glitter shoes, green glitter shoes, monster pumps, dinosaur ballet flats, monster claw flats, hallow Other times a play etches itself into the mind’s eye because of a single luminous performance or a director framing a narrative with exquisite care..

Indeed, it was such a good year that many estimable productions did not make the cut. Honorable mentions go to Katori Hall’s “The Mountaintop” at TheatreWorks and Dan Le Franc’s “Troublemaker, or The Freakin Kick-A Adventures of Bradley Boatright” in its world premiere at Berkeley Rep. Here is my countdown of the Top 10 in theater for 2013. 1. “No Man’s Land”: Stage and screen legends Ian McKellen and Patrick Stewart, two virtuosos of the theater, played a rich symphony in the enigmatic comedy of Pinter in this memorable journey to the void. Sean Mathias’ wonderfully tart revival made its world premiere at Berkeley Rep before heading to Broadway. McKellen and Stewart are the ideal interpreters for Pinter because they tap into the juicy black humor that laces the dread in this 1974 thriller.

2, “Terminus”: Three forsaken souls known only as A, B and C plunge into the Dublin underworld in this haunting drama from Mark O’Rowe, hailed for “Howie the Rookie.” A play in verse that unfolds in a maze of interlocking monologues, this unforgettable drama was marked by the poetry of the Irish accent and the monster glitter shoes, flat glitter shoes, green glitter shoes, monster pumps, dinosaur ballet flats, monster claw flats, hallow stunning versatility of actors Marissa Keltie, Stacy Ross and Carl Lumbly locked in a dance of danger and regret, The ingenious Jon Tracy directed this thrilling American premiere at San Francisco’s Magic Theatre..

3. “4000 miles: Amy Herzog has a gift for understated characters facing everyday hurdles with equal parts pluck and self-destructiveness. The understated gem unfolds as a series of perfectly captured moments between eccentric people we instantly recognize and won’t soon forget. The playwright (“Belleville,” “The Great God Pan”) based the character of Vera on her own grandmother, and you can sense her empathy for the indignities of aging. Mark Rucker directed this delicate gem in its West Coast premiere at American Conservatory Theater.

4, “Buried Child:” Loretta Greco’s blistering revival of Sam Shepard’s American Gothic icon, which made its world premiere at the Magic back in 1978, proved that this once lustrous troupe has made a full comeback, Framed by intense performances by Rod Gnapp, Patrick Alparone and Elaina Garrity, this white-hot production of the Pulitzer-winning family drama celebrated the theater’s rich legacy as a fearless champion of bold new voices, 5, “Black Watch”: Part lamentation for the fallen, part documentary theater, this critically acclaimed National Theatre of Scotland production both paid homage to and deconstructed the iconography of warfare within an explosive theatrical ritual that shook the walls of San Francisco’s historic Drill Court, Director John Tiffany (“Once”) and choreographer Steven Hoggett (“Once” and “Peter and monster glitter shoes, flat glitter shoes, green glitter shoes, monster pumps, dinosaur ballet flats, monster claw flats, hallow the Starcatcher”) brought the history of the legendary Scottish battalion to life..

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