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Which means an awards system that has spent decades struggling to establish the prestige of, say, the Oscars is facing a new conundrum. Instead of celebrating today’s music by allowing great, new artists to rally viewers with great, new art, the Grammys are addicted to a telecast formula that sells a mirage of consensus and timelessness. That illusion should feel creepily familiar to fans of new pop music. Cosmetic collaborations are a pox on the radio. Check out last week’s Billboard Hot 100 chart. Four of the top five songs were duets that feel as if they were hatched in a focus group: Pitbull and Ke$ha’s “Timber”; Eminem and Rihanna’s “The Monster”; Katy Perry and Juicy J’s “Dark Horse”; and Christina Aguilera and A Great Big World’s “Say Something.”.

So in their own unfortunate way, the Grammys are capturing the zeitgeist, right? Not really, The central problem is that these excessive Grammy moments smudge the actual moment, By being shoehorned into performances with their elders, too many of today’s rising artists are denied their own moment, It’s rare, but sometimes the righteous refuse to play ball, Two purple, white, red, pink, or yellow grossgrain 3/8 inch ribbon w ballet slippers center french clip hair bow - gifts for balleri Grammys ago, Justin Vernon of Bon Iver was nominated for four awards, including best new artist, making the helium-voiced rock singer an ideal candidate for a telecast performance, But he declined..

“We wanted to play our music, but were told that we couldn’t play,” Vernon told Billboard at the time. “We had to do a collaboration with someone else.”. Josh Homme of Queens of the Stone Age is another rock-and-roll frontman of staunch principles, but on Sunday he’ll be joined at the telecast finale by Nine Inch Nails, his buddy Dave Grohl and . . . [insert sound of name being plucked from hat] . . . Lindsey Buckingham of Fleetwood Mac. It seems tricky to go it alone on national television these days, even if you want to. Take Bruno Mars and the Red Hot Chili Peppers, two acts scheduled to merge next weekend in what should go down as the Taco Bell Doritos Locos Taco Supreme of Super Bowl halftime shows.

Initially, Mars was booked as the lone performer, But the NFL later announced that the 28-year-old pop phenom had “invited” a 31-year-old rock band to join him, Huh, Music enthusiasts might find it a waste purple, white, red, pink, or yellow grossgrain 3/8 inch ribbon w ballet slippers center french clip hair bow - gifts for balleri of breath to bemoan something as ridiculous as a halftime show, but consider this: If this year’s Super Bowl enjoys any kind of ratings bump, Mars and the Chili Peppers could be staging the most widely viewed musical performance in human history, And that’s frustrating, Mars’ radio singles may not do justice to his fantastic live show, but he was certainly up to the halftime task on his own, This guy might be the most dynamic R&B concert performer since Prince, Doesn’t he deserve the chance to make his mark without having to sing “Give It Away”?..

How did pop collaboration become so habitual? Rappers get unfairly blamed for far too many things in America, but this one kind of falls on them. In the 1990s, hip-hop albums became bloated with cameo appearances — a sort of strength-in-numbers approach from an underclass pop bloc fighting for mainstream recognition. The summer of 1999 brought another trajectory-twist in the form of Santana’s “Supernatural,” an album of genre-blind duets that swiftly went multi-platinum and won a staggering nine Grammy awards. At the 2000 Grammys ceremony, Carlos Santana played “Smooth,” the album’s flagship mega-hit, with Rob Thomas of Matchbox Twenty. During that same telecast, Elton John appeared with the Backstreet Boys. The Grammy moments were underway.

In the 14 years since, cosmetic collaboration has become pop music’s most noxious reflex — on the radio, on the Grammys and everywhere else, Young artists have been raised in a world where creative partnerships are seen as inherently valuable, regardless of chemistry, regardless of the results, On a night dedicated to celebrating the strongest aspects of contemporary music, we’ll spend three hours watching our biggest purple, white, red, pink, or yellow grossgrain 3/8 inch ribbon w ballet slippers center french clip hair bow - gifts for balleri pop stars indulging in one of the worst, – – –..

LOS ANGELES  — For more than a year, Justin Bieber has had more tabloid hits than Billboard hits: The singer’s music career has taken a backseat to his wild boy antics, and a new arrest for a DUI charge marks a new low for the Grammy-nominated pop star. Bieber’s arrest Thursday is another sign of the crazy lifestyle that has taken over the 19-year-old’s image — but a more serious one given the gravity of his alleged offenses. Authorities say Bieber failed a field sobriety test early Thursday and he is facing driving under the influence charges after driving nearly twice the speed limit on a Miami Beach street. Police said he also resisted the arrest and smelled of alcohol.

After he was charged, some key industry watchers were hesitant to talk about the Canadian-born singer’s woes and what it would mean to his imploding career, But rapper Macklemore, 30, was sympathetic, He said if he had become a mainstream musician when he was Bieber’s age, people would also see his struggles, “I think it’s challenging for anybody to have your life be a spectacle and to be challenged and critiqued and judged, And it’s definitely hard if you’ve never had any normalcy in your adult life or in your teenage life,” said Macklemore, who purple, white, red, pink, or yellow grossgrain 3/8 inch ribbon w ballet slippers center french clip hair bow - gifts for balleri has struggled with substance abuse, “I think that’s very challenging, I think if I had blown up at 22 or 23, I think you would have seen me do some (crazy stuff) in public.”..

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