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BERKELEY — The University of California, Berkeley, has formally inaugurated its 10th chancellor in a ceremony marked by pageantry and brief moments of protest. Nicholas Dirks, a history and anthropology scholar, became chancellor of California’s flagship public university on June 1 and was inaugurated Friday afternoon. The chancellor serves as executive head of all activities on the campus. In a speech Friday, he promised to expand and revise the university’s approach to its primary mission areas of teaching, research and public service.

“I invite you now to join me in a collective effort to imagine new futures for this great institution,” Dirks told the audience, “The stakes for us are as high as our aspirations.”, He also said Berkeley was positioned to “rebuild public faith in the value of education.”, Dirks was previously the executive vice president and dean of Columbia University’s personalised shoe bag, ballet bag, dance bag, kit bag, nursery bag faculty of arts and sciences, The inauguration ceremony, held on campus, included a number of faculty and staff processions as well as vocal and dance performances..

On Sunday, the Paris-based composer conducts the West Coast premiere of “A Secret Rose,” his massive five-movement post-minimalist opus for 100 electric guitars, bass and drums. Produced by the new-music organization Other Minds, the singular event adds another first to the already storied history of the Craneway, the expansive repurposed industrial venue with breathtaking views of the San Francisco skyline. A father of the no wave and noise rock movements and the founding director of The Kitchen, Manhattan’s downtown mecca for avant-garde music since the early 1970s, Chatham first made his mark as a composer with his 1977 piece “Guitar Trio.” He had worked his way up to composing for a guitar sextet when a jocular conversation with choreographer Karole Armitage in the mid-1980s planted the seed for his ambitious guitar conclaves.

“I said wouldn’t it be great if we could get 100 guitarists together personalised shoe bag, ballet bag, dance bag, kit bag, nursery bag in a small room, lock the door and call it ‘Torture Box,’ ” Chatham said in an interview last June, when he was in town for an Other Minds performance and conversation, “I was sort of in love with loud electric guitars back then.”, Armitage pooh-poohed the concept, telling Chatham that he didn’t even know 100 guitarists, Never one to back down from a challenge, he bet her that he did, and ended up with a list of 80 guitarists he knew personally..

“I lost the bet, but Karole knew 20 others that I didn’t know, and we realized it would be possible,” Chatham said. “But I didn’t feel ready. I knew I could get 100 guitarists together and just play ‘Louie Louie’ and everybody would love it, but I really wanted to do something that made use of the sonority that only 100 electric guitars can get.”. In the late 1980s, Chatham was married to a French dancer he had met while touring as a musician and composer with Armitage’s dance company, and he decided to relocate with her to Paris. Working with producer Francis Falceto (best known as an evangelist for the riches of Ethiopian music), he premiered his first 100-guitar composition “An Angel Moves Too Fast to See” in Lyon in 1989.

“I was really frightened the first time we performed it,” Chatham said, “I was able to simulate the personalised shoe bag, ballet bag, dance bag, kit bag, nursery bag sounds of guitars on an Atari S900, and I thought I knew what it would sound like, but I didn’t have a sample of 100 guitars, You can imagine my relief that it actually sounded better than anything I thought.”, Over the years, Chatham has continued to create pieces for huge assemblies of guitarists, including a commission for Paris’ resonant Sacré-Cœur Basilica featuring 123 guitarists and a Lincoln Center outdoor project for 200 guitarists arrayed in semicircle, “which allowed us to pass sound around from east to west and back,” Chatham said..

For “A Secret Rose,” Other Minds put out the call for guitarists months ago, a summons that attracted an array of professional and semiprofessional players, mostly from the East Bay and San Francisco, but hailing from as far away as Atlanta, New York City, Liverpool, Manchester and Montreal. For Richmond guitarist John Binkov, a conservatory-trained musician who has played a central role in the Bay Area punk scene since his days with the seminal band VKTMS, the piece proceeds as an intriguing sonic journey.

“I like the sense of how it proceeds and evolves, with a glistening timbre here and there,” says Binkov, a longtime professor at Holy Names University, “It ebbs and flows; there’s a sense of accretion, Since Chatham’s been working with guitars for a long time, he recognizes the effects of guitars themselves, personalised shoe bag, ballet bag, dance bag, kit bag, nursery bag When you get 100 together, they won’t play perfectly in time, There are minute differentiations in rhythms, and you get this really interesting chorusing effect.”..

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