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To donate to the Hope Program, go to www.phs-spca.org/hope or donations can be applied to the program for phone, mailed or over-the-counter donations as long as the Hope Program is mentioned. The luncheon benefit — themed “Over the Top” — was attended by 225 people who had an opportunity to bid on a variety of lovely and unique holiday table settings and festive floral displays donated by some of the Bay Area’s best designers. A boutique marketplace also invited holiday shopping.

All proceeds from the ticket sales, silent auction, and 20 percent of the boutique sales benefited Peninsula Family Service, Ron Morgan, a nationally renowned floral designer and expert, gave a lecture demonstration peppered with his wit and followed by his one-of-a-kind arrangements being auctioned to the highest bidder, He also held a sale and signing for four books he has authored and donated a percentage of the proceeds to Peninsula Family Service, A Fund-a-Need was held to benefit Peninsula Family Service’s Nutrition Program for the Child Development Centers, The program provides a morning snack, lunch and afternoon snack year-round to nearly pink ballet flats with bling 500 children at 10 centers throughout San Mateo County..

“Since 1950, nearly 20,000 men, women and children have depended on the plethora of programs offered by Peninsula Family Service,” Foothill Auxiliary President Judy Simes wrote in the event’s program. “These valuable services are based on the individual’s ability to pay, not simply a handout. The philosophy at PFS allows the beneficiaries of these programs to maintain their dignity and hope during difficult times. “Foothill Auxiliary, since its inception in 1996, has actively supported all of PFS services and programs including volunteering throughout San Mateo County in programs at Fair Oaks Adult Activity Center, Redwood High School Child Development Center, and Haven Child Development Center.”.

Has it really been nearly 15 years? In 1999, “The Best Man” became a hit romantic comedy, a launching pad for several of its attractive, gifted young stars and part of an amazing wave of African American rom-coms that included “Love & Basketball,” “Love Jones,” “Soul Food” and “How Stella Got Her Groove Back.”, It’s taken writer-director Malcolm D, Lee this long to deliver a sequel, “The Best Man Holiday,” but his timing is propitious, Not only has his ensemble aged remarkably well, but pink ballet flats with bling his film also is once again part of an exciting time in black film, in this case a year that has spanned the reassuring uplift of “42”³ and “Lee Daniels’ The Butler,” the searing history of “12 Years a Slave” and such vibrant contemporary stories as “Fruitvale Station” and “Newlyweeds.” Oh yes, and “Peeples” and “Baggage Claim,” which share more than a little DNA with “The Best Man,” which was that rare Hollywood movie that presented African American life not as an urban “problem” but as a lush wish-fulfillment fantasy of prosperity, friendship and faith..

Those principles also propel “The Best Man Holiday,” which begins with an efficient sequence of flashbacks and updates: Harper (Taye Diggs), after becoming a bestselling author, hasn’t written a book for a while (hint, hint Mr. Lee?). His wife, Robyn (Sanaa Lathan), a successful chef, is nine months pregnant with their first child. Lance (Morris Chestnut) is a star running back for the New York Giants, and his wife, Mia (Monica Calhoun), serenely looks after their sprawling New Jersey estate and impeccably behaved four children. Jordan (Nia Long) is a hard-charging executive at MSNBC, Quentin (Terrence Howard) is a music impresario, Julian and Candace (Harold Perrineau, Regina Hall) have opened their own school and Shelby (Melissa De Sousa), it will surprise no one to know, has become the star of Bravo’s “Real Housewives of Westchester.”.

When the gang gathers at Lance’s palatial pad for a days-long Christmas party, some long-standing tensions re-emerge, culminating in at least one epic cat fight, a stunning, tragic turn and a delicious dance number from the guys set to vintage New Edition, Like a long-lost soap opera emerging from a Rip Van Winkle-length hiatus, “The Best Man Holiday” has lost none of its often baggy, saggy melodrama; luckily, when things get too soppy, Howard can be depended on for crude one-liners that land pink ballet flats with bling with all the more finesse thanks to his smoky, slightly stoned delivery..

And “The Best Man Holiday” has clearly caught up with the times, with one plot point revolving around social media run amok, off-handedly invoking everyone from Barack Obama (natch) to Melissa Harris-Perry, Olivia Pope and Robin Thicke. That last name-check comes by way of Shelby when she meets Jordan’s new boyfriend, played with square-jawed appeal by Eddie Cibrian. There’s no denying that the maudlin, message-y machinery of “The Best Man Holiday” often threatens to collapse of its own self-conscious weight. This is a one-two-three-four hankie movie that misses no opportunity to wring a few tears, no matter how shameless. Lee’s efforts to imbue his often profane, sexually ribald proceedings with religiosity can be heavy-handed, especially when Lance’s attempt to break the all-time rushing record somehow becomes a proxy for a holy, life-and-death struggle. But it’s refreshing to see characters for whom prayer and spiritual service are an everyday part of life. And, as with the first film, it’s the actors who bring warmth, humanity and compulsive watchability to every moment of “The Best Man Holiday,” no matter how ersatz, overprocessed or manipulative.

In other words, you don’t go to “The Best Man Holiday” to deconstruct its flaws, You go for its myriad, adamantly un-cerebral pleasures, You go to see Chestnut take that shirt off, You go to giggle at Howard, then come up pink ballet flats with bling short during a frank and unexpectedly moving encounter when he talks about money with one of his friends, And you go to take in the quietly regal Calhoun, whose subdued performance sneaks up and grabs you while you thought you were laughing at something else, You go simply to take in the fineness, beauty and charisma of everyone involved in “The Best Man Holiday,” which — in the age of Obama and Olivia Pope and “The Butler” and “12 Years a Slave” and “Baggage Claim” — its once-starved audiences may finally be able to take for granted..

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