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The artwork was created by a variety of regional artists. It’s described as “a transmedia, science-fiction/fantasy story about a crew of Victorian time travelers on a mission to save the world from anachronistic monsters and similar problems.”. Presented in the museum’s South Gallery, the exhibit will be on display through Jan. 26. The Peninsula Museum of Art is at 1777 California Drive, Burlingame. Hours are 11 a.m. to 5 p.m. Wednesdays through Sundays. Admission is free. Call 650-692-2101 or visit www.peninsulamuseum.org.

Don Labit, a portrait and event photographer based in South San Francisco, is the swarovski crystal baby blue ballerina slippers ballet dance shoes charm pendant necklace jewelry best friends birthday christmas featured artist at Alliance Française throughout December, On view are photos from his travels across the U.S, as well as those from his former homeland, the Philippines, Recent events advancing social equality and personal freedom in the Bay Area are featured as well, Alliance Française is at 1345 Bush St., San Francisco, Gallery hours are 11 a.m, to 9 p.m, Mondays and Fridays, 9 a.m, to 9 p.m, Tuesdays-Thursdays and 10 a.m, to 5 p.m, Saturdays, Call Don Labit Design at 415-812-9511 or visit www.afsf.com..

The Sanchez Art Center has studio space available for visual artists. Current room vacancies range from 190 to 460 square feet. Depending on size and amenities, rents range from $160 to $300 per month. Selected artists will join a community of 30 artists working in 18 studios (mostly shared). They will be asked to perform approximately one service hour per week to help with exhibitions, receptions, events or general maintenance. For details, visit www.sanchezartcenter.org. The Sanchez Art Center is in the Pacifica Center for the Arts at 1220 Linda Mar Blvd., Pacifica.

In the Coen brothers’ movie “Inside Llewyn Davis,” Oscar Isaac plays a folk singer barely making a living in Greenwich Village in the early ’60s, sleeping on the couches of downtown friends, presumably unaware of a singer from Hibbing, Minn., who has just hit town and will change the world — but swarovski crystal baby blue ballerina slippers ballet dance shoes charm pendant necklace jewelry best friends birthday christmas not quite yet, The universe inhabited by Llewyn Davis — who is loosely based on the musician Dave Van Ronk — is a hermetic one, composed mostly of traditional music purists like himself, occasionally branching out to the cultural cognoscenti of the Upper West Side, But although the early 1960s folk scene in New York was just that insular, the city around it was in the midst of larger cultural ferment, its myriad subcultures in jazz, art, dance, film, theater and journalism undergoing their own seismic shifts..

On a single night in New York in 1961, it’s possible to imagine Bob Dylan, Barbra Streisand and Miles Davis playing clubs in and around the Village, while Gloria Steinem and Robert Benton traded newspapers at Jim Downey’s Steak House uptown. James Earl Jones was starring in Jean Genet’s “The Blacks” at the St. Mark’s Playhouse, while Edward Albee, having already galvanized off-Broadway with “The American Dream” and “Zoo Story,” was writing “Who’s Afraid of Virginia Woolf?” Stephen Sondheim might have been noodling ideas for “A Funny Thing Happened on the Way to the Forum.” Andy Warhol might have been preparing Marilyn Diptych or 100 Cans and other works for his first solo pop art show the following year.

During an era that ran roughly from 1960 through 1963, those worlds were known to overlap in fascinating, felicitous ways, It wasn’t uncommon for Steinem — then an emerging journalist swarovski crystal baby blue ballerina slippers ballet dance shoes charm pendant necklace jewelry best friends birthday christmas working at the humor magazine Help! – to call up an emerging comedian named Woody Allen, inviting him to contribute to the satirical fumetti the magazine specialized in, Robert Redford, having recently left art school and beginning to work as an actor, saw a young Streisand while she was playing Village clubs like the Blue Angel and the Bon Soir, never dreaming they would be acting together on screen a little more than 10 years later..

Meanwhile, Jean-Luc Godard’s “Breathless,” Michelangelo Antonioni’s “L’Avventura” and Ingmar Bergman’s “The Virgin Spring” were introducing a new cinematic grammar to American filmgoers. Journalists absorbed the spontaneous rhythms of those films while documentary filmmakers internalized the raw, confrontational intimacy of new off-Broadway productions. Painters went to hear jazz, playwrights went to see modern dance and Beat poets went to the folkie coffeehouses — a cultural cross-fertilization that’s briefly reflected in “Inside Llewyn Davis” when a character played by Garrett Hedlund tells Davis that he acted in the off-Broadway play “The Brig.”.

That’s a moment of poetic license: In actuality, that play didn’t open until 1963, In 1961, when “Inside Llewyn Davis” takes place, Kenneth H, Brown — who wrote “The Brig” — was tending bar, hoping for a break in the theater, That same year, D.A, Pennebaker, who would go on to make the Dylan documentary “Don’t Look Back,” was making films with Robert Drew and Richard Leacock at Life magazine, where they had invented a portable, lightweight camera with synchronized sound that would give rise to a new kind of nonfiction filmmaking some would swarovski crystal baby blue ballerina slippers ballet dance shoes charm pendant necklace jewelry best friends birthday christmas start calling “cinema verite.”..

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