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Score: 9, 9, 9 = 27. Their trio jive was the most clever and most original of the night. Each portrayed one of the judges (Tony was Bruno with all his flamboyance) and worked in awesome choreography. Bruno said that Leah missed a couple of steps, but that it was the most witty routine. Carrie Ann loved that Leah, as her, took control of the guys, and Len said he loved the concept. Score: 9, 9, 9 = 27 + 27 = total of 54. Jack and Cheryl — Viennese waltz; trio samba with Sharna Burgess. Jack is another dancer who has improved incredibly, and it really showed in tonight’s waltz. Len said it was “crackerjack, Jack,” had a lovely hold and ticked off all the little things they did well. Bruno told Jack that “ballroom just flows out of you,” and Carrie Ann said Jack has “built your entire journey on technique. You’re just amazing!”.

Score: 10, 10, 9 (to boos) = 29, Their trio samba didn’t fare as well, although Len said it was a clever routine and fun, and Bruno said he got a “case of jungle fever” from the routine, Carrie Ann bemoaned the loss of technique but said it was fun, adding that Jack was good with Cheryl but was overwhelmed by both women, Score: 8, 8, 9 = 25 + 29 = total of 54, Amber and Derek — quickstep; trio salsa with Mark Ballas, Although her knees are a real problem for Amber, she said that she’s in it to win it, and it showed tonight, However, the judges found flaws in her performance, Len called Derek’s choreography “terrific,” but said it covered up problems Amber was having, particularly in her top line, Judge girls ballerina dress, baby dress, dancer dress, ballet shoes, toddler dress, birthday party dress, spring dress, summer twirl d Bruno Tonioli said she was dazzling but she must work on not leaning forward, and judge Carrie Ann Inaba told her, “You’ve set the standard very high,” now she has to meet her own standards and that she made a few mess-ups..

Score: Carrie Ann, 8; Len, 8; Bruno, 8 for a 24. Their trio salsa was fast, hot, clever, quick and lots of fun. Len called her “Smiley Riley” and said she was like a ray of sunshine on a gloomy day, but needed to do more hip movement. Bruno said she let it rip but needed more hips, and Carrie Ann said the trio was a “dream team.”. Score: 9, 9, 9 = 27 + 24 = total of 51. Bill and Emma — Charleston; trio salsa with Peta Murgatroyd. Bill certainly tried his hardest and the viewers obviously love him, but the routine was not up to his previous efforts. Bruno pointed out that Bill’s timing was off, Carrie Ann said he was totally off the beat, and Len said there “was no swivel,” it was wooden and wasn’t a good routine.

Score: 7, 7, 7 = 21, I’m afraid that I just didn’t understand the basis for the trio salsa, I guess it was Willy Wonka and two candy dolls, or something, so I was surprised when the routine got poor reviews, Bruno called it “Willy Wonka and the Babes,” and said there was no rhythm or timing, girls ballerina dress, baby dress, dancer dress, ballet shoes, toddler dress, birthday party dress, spring dress, summer twirl d Carrie Ann called it “weird” and said she kept looking for the rhythm, and Len warned Bill that he has to really work and lift up his dances if he expects to get through the semifinals, The audience, who love Bill, too, booed at the scores..

There have always been two Lady Gagas: the button-pushing, meat dress-clad provocateur and the distressingly conventional pop singer. Her new album, “Artpop,” is meant to be a transgressive exploration of fame, fashion and art, but it’s really a middlebrow pop album with high-art ambitions that too often go unrealized. “This is the reverse of Warhol,” Gaga recently told an interviewer. “This is the reverse of the soup can, this is art imprinted onto pop culture.” A pop album that truly tried to democratize the avant-garde would have been a great idea, but “Artpop” isn’t it. Gaga doesn’t have a lot to say about culture, except in the most cartoonishly broad strokes. Everything is burned down to its most obvious, tired signifiers: Versace, Warhol, Louboutin, Jeff Koons (the latter being Gaga’s fellow high-toned kitsch enthusiast, and the album’s cover artist). It doesn’t say much for “Artpop” that its avant-garde touchstones haven’t been avant since the Clinton administration.

The album is an undisciplined sprawl of genres (most of them variations on dance pop), personas (drama camp weirdo, Weimar Republic vamp, Grace Jones impersonator) and ideas (fame is bad, sex is good) that is sometimes intensely pleasurable and sometimes wince-inducing, It’s grounded in girls ballerina dress, baby dress, dancer dress, ballet shoes, toddler dress, birthday party dress, spring dress, summer twirl d the recognition that, however admirable Gaga’s fine-art ambitions, she still must keep one eye on peers such as Katy Perry and Miley Cyrus, “Artpop” bears the skeletal outlines of everybody else’s 2013 hits: There’s trap, rave, disco, vaguely Euro-inspired EDM, ’80s nostalgia, songs about weed and awkward hip-hop featuring whatever rappers are willing to degrade their brand, (Twista shows up, Twista will always show up.) Everything is bent into recognizable, radio-friendly shapes, with enough eccentricities to make it recognizably Gaga but not so much that things actually get weird..

It’s unclear whether Gaga knows it isn’t safe to venture too far from the unspoken limitations of Top 40, or whether she thinks she has. “Artpop” likes to occasionally explain its underlying thesis (“Pop culture was in art / Now art’s in pop culture / In me,” Gaga intones on the first single, “Applause,” which would have been terrible without those clunky lyrics). “My Artpop could mean anything,” she sings on the title track. Awkwardly pointing out the Art in “Artpop” doesn’t make it any Artier. There are still moments when it’s a likable, buoyant dance-pop album, at least in its first half, which is highlighted by “Do What U Want,” an electro/’80s R&B hybrid, which pairs Gaga with R. Kelly and is the album’s best and liveliest track.

“G.U.Y.” checks every familiar box: role playing, bad puns (“G.U.Y.” stands for “Girl girls ballerina dress, baby dress, dancer dress, ballet shoes, toddler dress, birthday party dress, spring dress, summer twirl d Under You”), a killer hook, lyrics she’ll regret in five years (“Touch me, touch me / Don’t be sweet / Love me, love me, please retweet”), Like many songs here, it’s highly sexualized, which is different from saying it’s sexy, since Gaga’s air of sexual detachment rivals Rihanna’s, She recites lines like “Do you wanna see me naked, lover?” as if she were ordering lunch..

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